Mslexia, the magazine for women who write | www.mslexia.co.uk
Books
This summer we recommend…
Evening is the Whole Day by Preeta Samarasan
(4th Estate, £16.99) 
Evening is the Whole Day is fantastically good. Portraying the tragedy of a wealthy, dysfunctional Tamil family living in Malaysia, and set against the backdrop of nationalist politics and the country’s conflictual multicultural society, it really deserves the rather hackneyed title of a ‘stunning debut.’ It is strongly reminiscent of novels by Salman Rushdie and Arundhati Roy: the family saga interwoven with the history of a community, the narrative focalisation through the eyes of children, the postcolonial theme, the linguistic innovativeness, even the hints of magical realism. But Samarasan has a powerful and compelling narrative style all her own that captures, with incredible and harrowing emotional precision, the cruelties that once-loving family members can pile on one another. There are some unambiguous victims: the youngest child, Aasha, first neglected by her socialite, aloof mother, and then by her beloved older sister Uma. The other victim is the maidservant Chellam. Brought into the house to look after the father’s aging mother, Chellam slowly becomes the scapegoat for the sins, misdemeanours, and bitterness of each family member in turn, until she is accused of accidentally killing the old grandmother.
The narrative is constructed as one continuous flashback – almost a psychoanalytic exploration of the family’s slow unravelling – showing how each character is alternately victim and perpetrator. The Malaysian setting is conveyed with cinematic vividness through food and streetscapes, and sheds a fascinating light on the complex relationship between Malaysia’s diasporic Indian community and its ongoing struggle to define its national identity.
reviewed by NEELAM SRIVASTAVA
This is a selected highlight from the current issue of Mslexia. To read the book reviews in full subscribe now. Other titles also featured include: What is She Doing Here by Kate Clanchy, Early Work by Patti Smith, The Battle for Gullywith by Susan Hill, The Host by Stephenie Meyer, Behnd the Scenes at the Museum by Kate Atkinson.
Mslexia Book Club: the verdict
Molly Fox’s Birthday by Deirdre Madden
(Faber, £12.99)
We did not celebrate Molly Fox’s Birthday. In fact, Doreen didn’t even stay for the party but left before page 90, though Myriam and Lynne found it picked up towards the end.
So, what was our problem with this book that explores the relationships between three friends, and why Molly Fox – an actress with a voice that can, apparently, utter the word ‘drains’ and you smell them, ‘strawberries’ and you taste them – refuses to celebrate her birthday? Our interpretation: that after a slow beginning and a crawling middle, the writer did not do enough to make us care. (Myriam: ‘There was an awful lot of self-indulgent, personal philosophising, which is always dull for anyone who isn’t as drunk as the philosopher.’)
The narrator mentally meanders her way through the past; how the friends met, how their successful careers – hers as a playwright, Molly’s as an actress, Andrew’s as an academic – developed. She returns, every now and again, to her current situation – staying in Molly’s house, trying to write a new play on the day of Molly’s strictly uncelebrated birthday. The effect of all this is like riding on the London Underground’s Circle line for two hours: you struggle to recall where you got on, and there is a pervasive sense of disorientation.
(Doreen: ‘I really couldn’t be bothered; I went to do some ironing instead.’ Myriam: ‘There were an awful lot of non sequiturs and I found the flashbacks confusing.’)
One thing we all noticed was the narrator’s remarkably selective memory. Andrew is her oldest friend so how, pray, does she forget that she slept with him? They must be the only couple in history that haven’t discovered, to their cost, that hanky panky shifts the parameters of a friendship so that it’s never the same afterwards. But they carry on as if they have shared nothing more intimate than a day trip to Blackpool.
Something else we agreed on: The opening page did not entice any of us to go on. The narrator begins with a detailed description of a dream she has just had and then in the second paragraph says, ‘I awoke and couldn’t remember the dream.’ This immediately jolts you out of the magic spell a well-written book entices you into, and deposits you into cold reality and the fact that you still haven’t done last night’s washing up.
Our final verdict: There were moments of promise and some striking sentences, evidence of a style that was buried, we felt, amongst too much verbiage. Taken as a whole, the book felt to us as if the writer was having a great time but has forgotten that she had readers to entertain as well.
reviewed by SERIOUS SCRIBBLERS
Myriam and Rhiannon formed Serious Scribblers as a writer’s group to work on their novels; Lynne and Doreen joined a couple of months later. With a range of backgrounds, politics, religious beliefs and lifestyles, their meetings are often in danger of degenerating into a debating society. They range in age from 50 to 70 plus. Doreen writes mostly on her travel experiences, Lynne is working on a memoir, and Myriam and Rhiannon are on the second drafts of their novels.
This article is taken from the current issue of Mslexia. If you'd be interested in your reading group test-driving a book for the Mslexia Book Group feature please Contact Us.

What FI GLOVER is reading
An extract from Bedside Table
I’m reading Anita Shreve. I’m a huge fan of modern novels and when I get stuck on an author I do tend to read their entire back catalogue. I’d read a couple of her books years ago – or I tried to – around the time when The Pilot’s Wife came out but I really wasn’t gripped by them at all. Obviously the books haven’t changed but I have, and I’m just really loving them at the moment. They’re not the gutsiest read but great for a little light relaxation. I’ve just read The Body Surfer: I did that in two great big spurts in bed on holiday.
Bedside Table in full:
Brenda Blethyn
Tamasin Day-Lewis
Shami Chakrabarti
Mslexia Reader's Choice
Win a £10 book voucher! Tell us what you're reading and each month we'll print our favourite answer in this slot.
Sophie Baker is Mslexia's Listings Editor and has recently graduated from an MA in Creative Writing at Newcastle University. She is a poet who enjoys baking (true to her name), writing poems and reviews, ballroom dancing and drinking too much coffee in cafés around Newcastle. She also has a creative blog - please drop in.
What are you reading now?
Angela Carter’s Wise Children. Also Frieda Hughes’ Waxworks and also American Gods by Neil Gaiman.
That’s quite a variety.
Why the mix?
I have a different book for every place I read: poetry I keep in my bag because it’s short and easy to read in snatches, Carter is in the toilet and American Gods is by my bed which probably isn’t a good thing because it keeps keeping me up – it sucks you in.
What do you like about Wise Children?
The visceral descriptions of theatricality, the sensuality of her prose and the cheekiness of her characters.
And is Hughes one of your favourite poets?
No, I’ve had the collection for a while and I’ve wanted to dip into it for some time. I’m not enjoying it that much, It wasn’t what I expected. I thought it would be more accessible.
Do you read a lot of Gaiman?
I saw Neverwhere on the television many years ago and have read some of his graphic novels – like Sandman – and I’ve wanted to check out his fiction for a while. A good friend bought American Gods for me for my birthday. I’m really enjoying it. I like the way his writing crosses media seemingly effortlessly – and he has a wild imagination that brings fantasy to an everyday world you can see yourself in.

